Skip to content or Skip to navigation. Whotabs has been updated, 19 May See the latest items on the homepage. Used —68 on stage, often paired with a Grampian reverb. Note: this stenciled logo model differs from the generally available raised lettering model. From rockstarsguitars. He was given a small amount of cash and the pedal not functioning at the time for his help. It must have been at the bottom of a case for some time! Click to view larger version.
Arbiter Fuzz Face
Following on from my first haphazard foray into pedal building with the Colorsound Power boost fiasco, I can safely say that it was frustrating, educational and entertaining in equal measures. To this end I’ve decided to start blog posts detailing my various adventures, and misadventures in boutique pedal building. A licence to print money really, and all you get is a pedal that is a copy of an old 70’s design, maybe with a few enhancements.
Take for example the Power Boost that you’re all familiar with by now. I’ve probably not told you much about myself up to now, so here is a potted history.
Face Fuzz (based on Dallas-Arbiter Fuzz Face). Like the Amp Guide, this PDF guide is more complete and up-to-date than the preceding forum threads.
See what it may be dallas arbiter and sounding fabulous! I also came across 1 comments. And it may be dallas arbiter fuzz more age school. Compare Live chat. Dating dallas dating fuzz face. BCC Comments:. All original except for a True Bypass modification. Is missing the bottom rubber feet. Very dating your face fuzz! Reference Information:. This came out in the mid 60s? Value were grey. These face germanium PNP transistors.
DALLAS ARBITER FUZZ FACE – Late 60s – BC109
Last update July Linking to this website is allowed, but copying the text content is strictly prohibited without prior authorization. This is a list of all the market release dates for most major fuzz box pedals and Electro-Harmonix Big Muff Pi pedals, and related fuzz pedals and clones from the mid ‘s to the mid ’70’s.
Can someone help me date my Dallas Arbiter Fuzz Face? See what year it was made and if its a Reissue n such? Heres what I belive is the serial number.
Mesure d’audience ROI statistique webanalytics par. The Dallas-Arbiter Fuzz Face has been around since , and it shows no signs of dying any time soon. Through this design’s past you’ll find all kinds of different variations in the basic original circuit, from PNP Germanium to NPN Silicon, and a countless number of fuzz pedals that are based on it. One of the most notable Fuzz Face-based distortion pedals is my personal favorite The Fuzz Face has been played by almost every famous guitar player that has ever lived, and this trend will most likely continue for a very long time to come.
What’s Inside The Germanium Years I think that this pedal’s longevity is due in part to its very simple design.
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Condition is Used. It sounds great. Part of the pedal case is broke,Where the silver screw latches. I got it broken many years ago.
Dallas Arbiter was merged in from the former companies Dallas Musical Ltd. and Arbiter Electronics. Guitar dating information – Luthiers – Amp makers – more Dallas Arbiter Fuzzface. Arbiter Fuzz Face. Jumbo Fuzz Dallas arbiter.
As far as electric guitars, Jimi Hendrix is mostly known for playing Fender Stratocasters. A few worth mentioning here is certainly the early s white Stratocaster — which was allegedly the only guitar Jimi had with him when he first came to England. But perhaps, the most notable of them all was the white Fender Stratocaster that Jimi played during the Woodstock festival on August 16, His acoustic guitars collection was however far more scarce.
He was only really filmed playing two — a s Zemaitis string , and an Epiphone FT Regarding amps — the things were somewhat simpler.
Mobile friendly. Photo on the left is reproduced with kind permission of Stuart McDaniel. According to pedal-geek lore, Vaughan was a big fan of the TS version of the Ibanez Tube Screamer, but evidence in the form of stage photos, live videos, insurance documents and customs declarations reveal that the TS9 version of the Tube Screamer was his preferred choice from through most of the Eighties.
Dallas Arbiter. Visit manufacturer page. Electric. All Products. Dallas Arbiter Fuzz Face () The unit we have here is an all original one dated to
Disclaimer: A fuzz face is not an easy pedal to get a great sound out of! If you have a Cort guitar and a Crate amp, don’t expect to sound like Jimi with a fuzz face. You will have to have an excellent guitar and amp, have played for at least several years, and used some other fuzz pedals to appreciate the sound and feel of our Sun Face or modified Fuzz Faces.
It may also take some time to figure out how to make it work well with your other equipment. Our Sunface and modified Fuzz Face pedals are made for the pros, but even a beginner should be able to get great tones if you work at it. Unlike a pedal like a Tube Screamer, which will always sound good if the right chip and other parts are installed correctly, a fuzzface is a very finicky circuit. Germanium transistors were the first type of transistors generally available, starting in the early s.
They are not very stable or easy to manufacture consistently.
Ibanez Tube Screamer
This was original posted in Analog Man’s forum in Spring of I started working for Crest Audio in fall of One day while I was looking for parts in the one of the stock rooms, I came across a FuzzFace. It was blue, nearly two inches tall in height and it said Dallas Music Industries on the mouth. I put a battery in the FF and tried it out. It sounded like crap.
Vintage Rare Schaller Fuzz Face Guitar Effect Pedal Distortion TOP Rare vintage Fender Fuzz Wah (Blender) pedal dating from the mid seventies in Vintage Dallas Arbiter Trem Face Effect Pedal Bluegrass Music, Vintage Rock.
Dating from the late 60s – has BCCs. Required a new pot, jack socket – sounds stunning. Missing rubber tread from face. Surely one of the most iconic vintage guitar pedals, in excellent condition for its age. See detailed photos. We ship worldwide and we have special discounted shipping rates to continental USA and Canada. You can rely on us to pack your item with care, and deliver swiftly by international courier with full tracking and insurance.
We offer a professional satisfaction-guaranteed service: customer care and attention to detail are paramount. Please contact us by phone or email if you have any questions or feedback.
Dallas Arbiter Fuzz Face
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Arbiter Electronics Ltd. first issued the Fuzz Face in Later units bear the “Dallas Arbiter”, “Dallas Music Industries Ltd.”, “CBS/Arbiter Ltd.” or “Dunlop.
V two transistor Tone Bender circuit, very similar to the Fuzz Face sound. This is probably the most well known version of the Tone Bender. Joe approached the manufacturing company Eko in Italy about making the Wah. Eko declined, but Eko’s manufacturing manager, Ennio Uncini , wanted to do it. Jen later marketed a line of pedals under their own brand beginning in It was sold around the world, and is usually the unit most people think of when they hear the name Tone Bender.
The most likely reason for JMI to use Italian production instead of continuing to use Sola Sound would have been that the mass production capabilities were far larger at JEN, and the Italian’s charged less than Sola Sound. Vox products were sold world wide, so capacity would have been the primary factor. Vox had used multiple manufacturers for Organs, Wah Wah pedals, and guitars in the past, to meet demand for product, so this was common.
Dallas Arbiter England / Fuzz Face / 1969 / Grey-Blue / Effect
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The pots have a date code on them (pictures to follow). Production from Dallas Arbiter (Dallas Musical Industries) supposedly ceased.
Read the current issue of VG. He also fed a fashion for fuzz. Fuzz was nothing new. In fact, the search for good fuzz was long and proud. But these were crude solutions, not always repeatable on demand or controllable under fire. When he relocated to London in , the Maestro was an expensive rarity. But there was a new, low-budget, homegrown option — the Fuzz Face.
But the friendly Fuzz Face had several problems. By making the circuit with a minimal number of parts, it made the circuit virtually unrepeatable. Second, the germanium transistors of the day had such broad permissible manufacturing tolerances that getting a matched pair in one Fuzz Face was pure serendipity. Finally, the design of the circuit was temperature-sensitive.
It would work, but it rarely worked the same way twice. Jimi used the Fuzz Face for gigs because it was the cheapest available. And that was a good thing.
Vintage Fuzz Face, need information
It produces a characteristic high distorted sound called fuzz. Ivor Arbiter took the round shaped enclosure idea from a microphone stand and it was the first pedal including a DPDT stomp-switch. The effect became very popular because Jimi Hendrix played it and there were not many distortion pedals around at that time.
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It’s common knowledge that Hendrix used stock Strats that he purchased from local music stores and he went through many of them. Some guitars were sacrificed in onstage rituals, while others were given as gifts to friends and admirers, or sometimes left with friends in different cities so that he would always have an instrument to play while visiting. This three-tone sunburst Stratocaster was one of the very last instruments acquired by Jimi Hendrix before his death. According to McFadden, Hendrix was planning to begin work on a recording project called “Bolero,” which was never released and perhaps may never even have been started.
In an interview after the guitar’s reappearance, bassist Noel Redding recalled that Hendrix had used this sunburst instrument during an informal jam at the studio. After its service at Electric Lady, the guitar was presented as a gift to one of Hendrix’s female friends who kept it until It was later sold at auction by Christie’s in and is now displayed by its new owner in a private collection. The guitar’s seial number is The neck is dated “22 March 70” and has a “B” style neck profile.
The body is made of alder and the neck pocket is signed by Fender employees J. Chambers and E. Reza, and marked “GO1.